"The Indian sari: Draping Bodies, Revealing Lives": at the Goldstein Gallery, St. Paul, Minnesota, Jan-March 1998

Themes / Families of saris / Who made it happen? / Lectures

Presiding:

Siva half-male, half-female (Ardhanarishvara)

Note that His left side (the Goddess), wears a long dhoti, whereas His right (Siva) has a short drape.

 

Of all the arts that have flourished in India, draping cloth to dress the body is the most unique, yet the least studied, cultural treasure. It is also an ephemeral art -- as soon as a woman's sari or a man's dhoti is taken off, the particular style in which it encircled the body is lost, and the garment reverts to its flat rectangular form. If a particular style of draping becomes and remains un-fashionable until all its wearers have died, the artistry of that style is permanently lost.

Draped garments have been worn in the Indian subcontinent from early civilizations to the present day. Over the centuries they have undergone innumerable fashion transformations. Many of the styles in which Indian women today drape their saris were developed in the 19th century under colonialism, when drapes were most numerous and indicative of caste.

During the 20th century, a large proportion of Indian men have begun wearing cut and sewn garments, in either Indian or European-influenced styles. In contrast, the larger proportion of Indian women wear draped garments, with the addition of cut and sewn blouses and petticoats. The style of draping saris has continued to change as women adopt regional styles or the national Nivi "Modern" sari, while giving up caste-specific or local styles.

Cases display ancient statuettes or Indian dolls. On the walls you can see hanging saris, paintings, photographs, and other documents related to saris.

You are greeted by a Bengali sari draped on a body form. A note says "touch me".

Some of these styles of draping are very complex. Can you figure out how the sari on this "Touch & See"mannequin is draped?

Each of us, in our own culture, is accustomed to "reading" information about people from their dress. We can recognize social, cultural, or religious differences through dress.

In American society, can you tell the difference between the professor and student, doctor and nurse, bride and minister, by their dress?

Now, can you tell which one of these draping styles is worn by a flower vendor, a married woman, laundress, or person from the eastern part of India?

In India both the sari textile and sari drape give clues to the identity of the wearer. They can reveal such information as the caste, marital status, religion, occupation or regional origin of the wearer. The social and historical meanings of draping often lie in hidden, minute details.

Because many Indian saris are worn in specific regions, knowledge of the states of India is helpful when learning about the drapes.

Hanging: (left), an ikat tribal sari from Orissa and (right) a sari from Bengal


Themes / Families of saris / Who made it happen? / Lectures

See the book that goes with the exhibition: "Saris: An Illustrated Guide to the Indian Art of Draping"

Work of cultural anthropologist Chantal Boulanger

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